Zur Dokumentation des Kunstschutz in Bildarchiven gibt es in Kürze eine Tagung beim Bildarchiv Foto Marburg:

Visual Documentations of Art Protection during the Second World War – European Picture Libraries in Dialogue / Visuelle Dokumentationen des Kunstschutzes im zweiten Weltkrieg – Europäische Bildarchive im Dialog

21.01.2010 09:00 h – 22.01.2010 13:00 h
Deutsches Dokumentationszentrum für Kunstgeschichte
Bildarchiv Foto Marburg
www.fotomarburg.de/aktuelles/events/dokumentation

Donnerstag, 21. Januar 2010

I. Introduction

• Hubert Locher (Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg) – Welcome
• Christina Kott (Institut d’histoire du temps présent IHTP, Paris) – Keynote lecture: Photo archives and art protection in periods of war and occupation. Remarks on a barely explored field of research
• [Intervention] Hubert Locher, Whose pictures? The Marburg Documents related to the after war negotiations about „restitution“

II. Archives in France and Belgium

• Jean-Daniel Pariset (Médiathèque de l’architecture et du patrimoine, Archives photographiques, Paris) – The „Mediathèque de l’Architecture et du Patrimoine“ MAP
• Christina Ceulemans (Institut royal du patrimoine artistique KIK-IRPA, Brüssel) – The department of documentation of the Royal Institute for Cultural Heritage
• Marie-Christine Claes (Institut royal du patrimoine artistique KIK-IRPA, Brüssel) – The „Service de la documentation belge“ during WW II

III. Accross the Border: Photographs of Objects from France and Belgium in German Archives

• Susanne Dörler (Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg) – “The photographic inventory of the artistic monuments in Belgium”. A photographic campaign of the German „Kunstschutz“ in 1941-1944
• Daniel Parello (Corpus Vitrearum Medii Aevi Deutschland / Freiburg i. Br.) – „German stained-glass of historical significance“. The photographic documentation during WW II. The collection of the CVMA in Freiburg / Br.

IV. Italy

• Marilena Tamassia (Soprintendenza Speciale per il Polo Museale Fiorentino, Florenz) – The photographic documentation of war damage in Florence (1940-1945)
• Silvia Paoli (Conservatore Civico Archivio Fotografico Castello Sforzesco, Milano) – The photographic archive at Castello Sforzesco of Milan. Role and importance of photography for the protection and the knowledge of art between 1943 and 1944
• Regine Schallert (Bibliotheca Hertziana – Max-Planck-Institut für Kunstgeschichte, Rom) – Photographs of the German „Kunstschutz“ in Italy: Two collections of the Bibliotheca Hertziana Rome (MPI)
• [Intervention] Almut Goldhahn (Kunsthistorisches Institut – Max-Planck-Institut, Florenz) – Some war-time photographs by Hans Werner Schmidt found in the photo library of the Kunsthistorisches Institut in Florence
• Ralf Peters (Zentralinstitut für Kunstgeschichte, München) – The photo archives of the German Military “Kunstschutz” in Italy (1944-45). A partictular collection in the Zentralinstitut für Kunstgeschichte

V. Photographic Archives on the Web

• Andreas Buchholz (Reconnaissance Collections, RCAHMS, Edinburgh) – The Aerial Reconnaissance Archives TARA in Edinburgh – An introduction to its collection and recently installed website

• Angela Kailus (Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg) – Establishing a digital network of photo archives: The „Bildindex der Kunst und Architektur“. Present state and perspectives of project based development

• Discussion: Perspectives and problems of developing a international network of photo archives
  Almut Goldhahn, The Florence Declaration. Recommendations for the preservation of analogue photo archives