Ruth Bussche


Daran und damit arbeite ich: Provenienzforschung, wissenschaftliche Datenbanken, webbasierte Forschungsumgebungen, Fotogeschichte, historische Bildsammlungen, Normdaten


Lesezeit: 2 Minuten

Das Projekt DigiCONFLICT – Digital Heritage in Cultural Conflicts wird von einer internationalen Forschergruppe unter Dr. G. Pasternak, De Montfort University in Leicester (UK), Prof. Manikowska, Institute of Art of the Polish Academy of Sciences (Polen) und Dr. M.T. Tureby, Linköping University (Schweden) durchgeführt.

DigiCONFLICT will explore the impact of digital heritage on contemporary engagements with the past in specific national frameworks in Poland, Sweden and Israel. Focusing on oral history, photography and multimedia museums as some of the most common media used to digitalize cultural heritage, the project responds to the Call’s ‘Critical Engagements with Digital Heritage’ trajectory, endeavoring to challenge widespread claims about the universality and democratizing abilities of digital heritage. Even though digital heritage maintains the potential to increase cohesion across nations and social groups, it is equally used to cement elite power structures, define what counts as cultural heritage, and determine whose cultural heritage is worthy of preservation. While acknowledging the role digital heritage plays in shaping and distributing cultural heritage, the project’s point of departure is that digital heritage cannot be considered in separation from historical, cultural and national contexts. The project has three main aims: 1) to explore how national politics affect digital definitions of cultural heritage, 2) to investigate who creates and engages with digital heritage, and how, and 3) to study how the scope and value of cultural heritage are being negotiated and reformulated in a digital context.


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